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¼­¿ï½ÅÇдëÇб³¿¡¼­ ±³È¸À½¾ÇÇлç(B.A.)¿Í ½ÅÇлç(B.A.)¸¦ º¹¼öÀü°øÇÏ°í ¿¬¼¼´ëÇб³ ¿¬ÇÕ½ÅÇдëÇпø ±³È¸À½¾ÇÁöµµÀÚ°úÁ¤(Diplm.)°úÁ¤À» °øºÎÇÑ ÈÄ µµ¹ÌÇÏ¿© Westminster Choir College¿¡¼­ ±³È¸À½¾Ç¼®»ç(ÀÛ°î, ÁöÈÖÀü°ø)¸¦, Claremont Graduated University¿¡¼­ ±³È¸À½¾Ç¹Ú»ç(ÁöÈÖÀü°ø)°úÁ¤À» Á¹¾÷Çß´Ù. ½ÅÇб³À°Àº Wesley Theological Seminary(M.A.), Newbruswick Theological Seminary(M.Div.), Southern Theological Baptist Seminary(M.Div.) °úÁ¤À» °¢°¢ ¼ö·áÇÏ¿´´Ù. Àú¼­·Î´Â ¡°¿¹¹èÀÚ¸¦ À§ÇÑ ÀÛÆí°î¹ý(¿ö½Ê¸®´õ, 2013) ¡°¿þ¹öÀÇ ¿¹¹èÀ̾߱â-¿¹¹è¿Í ¹®È­(¿ö½Ê¸®´õ, 2015)¡± ¡°¼º½ÇÇÑ ¸¶À½ °ø±³ÇÑ ¼Õ¡±°ú ¹ø¿ª¼­·Î ¡°¿µÇâ·Â ÀÖ´Â ¿¹¹èÀεµÀÚ(ÀÌ»ó ¿¹¼Ö, 2011)¡± µîÀÌ ÀÖ´Ù.
ÇöÀç ±³È¸À½¾Ç°ú ÇаúÀåÀ¸·Î ´ëÇÐ °­´ÜÀ» ¼¶±â¸é¼­ ¡®¿ö½Ê¸®´õÄÚ¸®¾Æ¡¯ ½ÇÇà ¹× ÆíÁýÀÌ»ç, ¿¹¹è¿¬±¸¼Ò ¼ÒÀå°ú ±¹Á¦¿¹¹èÀÚ¿¬ÇÕ ´ëÇ¥·Î È°µ¿Çϸç Çѱ¹±³È¸ÀÇ Â÷¼¼´ë ¿¹¹èÀÚµéÀ» ¼¼¿ì°í ÀÖ´Ù.
(ÀúÀÚ e-mail :jsyang@stu.ac.kr)


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¼÷¸í¿©ÀÚ´ëÇб³ ÀÛ°îÀ» Àü°øÇÏ°í, »ó¸í´ë ´ëÇпø¿¡¼­ ÄÄÇ»ÅÍÀ½¾ÇÀ» Àü°øÇß´Ù. Àü ¡®SBS Æ˽º ¿ÀÄɽºÆ®¶ó¡¯, ¿ëÀνø³¿ÀÄɽºÆ®¶ó¿¡¼­ Æí°î ¹× À½¾Ç µð·ºÅÍ¿Í CTS ±âµ¶±³ TV Radio PD, ¹é¼®¿¹¼ú´ëÇб³, ³ªÁÖ´ëÇб³ °­»ç µîÀ» ¿ªÀÓÇß´Ù. CCM ³ª¿µÈ¯ÀÌ ºÎ¸¥ ¡°³ª´Â ÇÒ ¼ö ¾øÁö¸¸¡±ÀÇ ÀÛ°îÀÚ·Î Àß ¾Ë·ÁÁø ÀúÀÚ´Â °¨¸®±³½ÅÇдëÇб³¿Í È£¼­Àü¹®Çб³¿¡¼­ ÀÛ°îÀ» °¡¸£Ä¡¸ç, È­±¤±³È¸ ¹êµå ¸¶½ºÅÍÀÌÀÚ ºÎÆòÁß¾Ó°¨¸®±³È¸ ÁöÈÖÀÚÀÌ´Ù.
ÇöÀç ¿¹¹è¿¡ ´ëÇÑ ±íÀº ¿­Á¤À¸·Î ¡®µ¥ÀÌÁî¿ö½Ê¡¯ÀÇ ¸®´õÀÌÀÚ, ¼º°¡°î°ú CCMÀ» ³Ñ³ªµé¸ç ÀÛ,Æí°îÀ¸·Î È°¹ßÇÏ°Ô È°µ¿ÇÏ°í ÀÖ´Â ÀÛ°î°¡À̱⵵ ÇÏ´Ù. ¡®¿ö½Ê¸®´õ¸Å°ÅÁø¡¯ÀÇ Ä®·³¸®½ºÆ®·Î ÀÛ°î°ú Æí°î¿¡ ´ëÇÑ ±ÛÀ» ÅëÇØ ¸¹Àº »ç¶ûÀ» ¹Þ°í ÀÖ´Ù.(ÀúÀÚ e-mail: lydia1220@naver.com)

Part. One. ±âº»±â °®Ãß±â
1. º¸Ç¥(Sraff)¿Í À½ÀÚ¸®Ç¥(Clef)
(1) ¿À¼±(Staff/½ºÅÂÇÁ)
(2) À½ÀÚ¸®Ç¥
(3) º¸Ç¥ÀÇ Á¾·ù
2. À½À̸§(Tone Name/Åæ ³×ÀÓ)
(1) ¿øÀ½(Natural Tone/³×Ãò·² Åæ)ÀÇ À̸§
(2) ¹ÝÀ½(Semi-Tone/¼¼¹Ì Åæ)°ú ¿ÂÀ½(Whole-Tone/ȦÅæ)
3. º¯È­Ç¥(Accidental Signature/¾î½Ãµ§Å» ½Ã±×´ÏÃÄ), ÀÓ½ÃÇ¥(Temporary Accidental Signature/ÅÛÆÛ·¯¸® ¾î½Ãµ§Å» ½Ã±×´ÏÃÄ), Á¶Ç¥(Key Signature/Å° ½Ã±×´ÏÃÄ)
(1) ÀÓ½ÃÇ¥(Temporary Accidental Signature)·Î »ç¿ëµÇ´Â º¯È­Ç¥
(2) Á¶Ç¥(Key Signature)·Î »ç¿ëµÇ´Â º¯È­Ç¥
4. À½Ç¥(Note/³ëÆ®)
(1) ¹ÎÀ½Ç¥(note)
(2) Á¡À½Ç¥(Dotted Note)
(3) °ãÁ¡À½Ç¥(Double Dotted Note)
(4) ÀÕ´ÜÀ½Ç¥(Tuplet note)
5. ½°Ç¥(Rest)
(1) ¹Î½°Ç¥
(2) Á¡½°Ç¥ (Dotted Rest)
(3) °ãÁ¡½°Ç¥ (Double Dotted Rest)
(4) Ư¼ö½°Ç¥(Extended Special Rest)
6. ¼¼·ÎÁÙ(Bar Line/¹Ù ¶óÀÎ)°ú ¸¶µð(Measure/¸ÞÁ®)
(1) ¼¼·ÎÁÙ(Bar Line/¹Ù ¶óÀÎ)°ú ¸¶µð(Measure/¸ÞÁ®)
(2) °ã¼¼·ÎÁÙ(Double bar line)°ú ³¡¼¼·ÎÁÙ(Final bar line)
7. ±âÈ£/Ç¥±â¹ý(Notation)
(1) ÁÙÀÓÇ¥
(2) ¹Ýº¹ ±âÈ£µé

Part Two.¹ÚÀÚ¿Í ¸®µë ¹è¿ì±â.
1. ¹ÚÀÚ(Meter/¹ÌÅÍ)
(1) ¹ÚÀÚ(Meter/¹ÌÅÍ)
(2) ¹ÚÀÚÇ¥(Meter Signature/¹ÌÅÍ ½Ã±×´ÏÃÄ)
(3) ¹ÚÀÚÀÇ Á¾·ù
2. ¸®µë(Rhythm)
(1) ¸®µëÀ̶õ
(2) ¸®µëÀÇ Á¾·ù

Part Three.À½Á¤ È­À½ ¾Ë±â
1. À½Á¤(Intervals/ÀÎÅ͹úÁî)
(1) À½Á¤(Intervals/ÀÎÅ͹úÁî)À̶õ
(2) À½Á¤ÀÇ ¼ºÁú
(3) À½Á¤ÀÇ Á¾·ù
2. È­À½(Chords/ÄÚµå)
(1) 3È­À½(Triad Chords/Æ®¶óÀ̾îµå ÄÚµå)
(2) 3È­À½ÀÇ Á¾·ù¿Í Ç¥±â¹ý
(3) 7È­À½(7th Chords/¼¼ºì½º ÄÚµå)
(4) 7È­À½ÀÇ Á¾·ù¿Í Ç¥±â¹ý
3. Á¶¿Í Á¶Ç¥(Key/Å°, Key Signature/Å° ½Ã±×´ÏÃÄ)
(1) ¿Ã¸²Ç¥(Sharps/?) #
(2) ³»¸²Ç¥(Flats/Ç÷§) b
(3) 5µµ±Ç

Part Four. Çü½Ä°ú À½°è ÆľÇÇϱâ
1. Çü½Ä(Musical Form/¹ÂÁöÄà Æû)
(1) Çѵµ¸· Çü½Ä(One Part Form/¿ø ÆÄÆ® Æû)
(2) µÎµµ¸· Çü½Ä(Two Part Form/Åõ ÆÄÆ® Æû)
(3) ¼¼µµ¸· Çü½Ä(Three Part Form/¾²¸® ÆÄÆ® Æû)
(4) ÀÛÀº ¼¼µµ¸· Çü½Ä(Small Three Part Form/½º¸ô ¾²¸® ÆÄÆ® Æû)
2. À½°è(Scale/½ºÄÉÀÏ)
(1) ÀåÀ½°è(Major Scale/¸ÞÀÌÀú ½ºÄÉÀÏ)
(2) ´ÜÀ½°è(Minor Scale/¸¶ÀÌÅÍ ½ºÄÉÀÏ)
(3) ±³È¸¼±¹ý(Church Modes/ÃÄÄ¡ ¸ðµå)
(4) ºí·ç½º(Blues)

Part Five. ¿¹»Ú°Ô ¾Çº¸ ±×¸®±â
1. À½Ç¥´Â ÀÌ·¸°Ô~
(1) ¸Ó¸®ÀÇ Å©±â¿Í À§Ä¡
(2) ±âµÕÀÇ ¹æÇâ
(3) ²¿¸® ¿¬°áÇϱâ
2. ½°Ç¥´Â ÀÌ·¸°Ô~
(1) ½°Ç¥ ¸ð¾ç
(2) Á¤È®ÇÑ À§Ä¡
(3) À½Ç¥¿Í ½°Ç¥°¡ ¼¯¿© ÀÖÀ» ¶§
3. À½ÀÚ¸®Ç¥ ±×¸®±â
(1) ³ôÀºÀ½ÀÚ¸®Ç¥
(2) ³·ÀºÀ½ÀÚ¸®Ç¥
(3) °¡¿ÂÀ½ÀÚ¸®Ç¥
4. ÀÓ½ÃÇ¥ ±×¸®±â
(1) #, X
(2) b, bb
(3) Á¦ÀÚ¸®Ç¥

Part Six. Á¶±Ý ±íÀº À̾߱â
1. ÅÙ¼Ç(Tension Note)
(1) ÅÙ¼ÇÀ̶õ.
(2) ÅÙ¼ÇÀÇ Ç¥±â
(3) ÅÙ¼ÇÀÇ Á¾·ù
(4) Äڵ庰 ÅÙ¼Ç
2. Á¶¹Ù²Þ(Modulation/¸ðµâ·¹À̼Ç)°ú Á¶¿Å±è(Transposition/Æ®·£½ºÆ÷Áö¼Ç)
(1) Á¶¹Ù²Þ(Modulation/¸ðµâ·¹À̼Ç)
(2) Á¶¿Å±è(Transposition/Æ®·£½ºÆ÷Áö¼Ç)

ºÎ·Ï...
ºü¸£±â¸»(Tempo terms)
ºü¸£±âÇ¥(Tempo Signature)
¼À¿©¸²Ç¥(Dynamic)
ÁÖ¹ý¿¡ °üÇÑ Ç¥(Musical interpretation)

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